I started this blog in the hopes of elevating the discussion on composition in regards to photography. Since my earliest days in photography I have searched for ways to create and interpret two-dimensional media only to be disappointed by choices available for learning about this thing we call composition. My hope is to create an open discussion here where we can all learn and grow in our pursuit of artistic expression.
Monday, January 30, 2012
Thursday, January 26, 2012
On Balance III
I quoted Rudolf Arnheim a few posts back with his contention
that our eyes have been reduced to instruments with which to identify and
measure. And through a devoted study of his writing I have come to agree with
him but the question remains, "How do we retrain our eye to find what we
have been missing?" "How do we find the recognizable mental
impression of something?"
My first indications in life that I had to retrain my eye
was when I would come upon a scene that absolutely took my breath away and yet
my photographic endeavors of such scenes were amateurish at best. My search for
photographic methods to improve my photography helped but lacked a certain
predictability and looked like everything else. I was looking in the wrong area
for improvement.
Friday, January 20, 2012
On Balance II
Discussions on balance in regards to photographic composition
seem to be superficial at best to me. There are good reasons for this among the
vast majority of photographers but if you want to distinguish yourself you have
to go the extra mile and get down into the nuanced details and understand composition
at a whole new level.
Consider that painters sometimes take years to determine
their compositions of which balance is an essential part. They'll make a sketch
of the crucial elements and they'll contemplate it for a while and then develop
another sketch and contemplate that one for a period and on and on and on until
they come to a solid conclusion about the message they want to send. Granted,
photography can be thought of as completely different in this respect but it's really
only a different point of view of the same coin.
Monday, January 16, 2012
Upcoming Display
I will be showing seven of my pieces at the Riverwalk Art Center in Fond du Lac, WI this Friday 20 Jan, 2012 from 5 to 8PM. The pieces I will be showing are:
Heavenly Bodies, 24"x48" on aluminum
Bryce Canyon Amphitheatre, 24"x18" on aluminum
Moonlit Castle, 24"x16" framed and matted
Monument Valley Sunrise, 24"x16" framed and matted
Storm Over Zion, 24"x16" framed and matted
Arches Sunrise, 24"x12" framed and matted
Chapel in Autumn, 15"x20" framed
I hope to see you there.
Doug
Heavenly Bodies, 24"x48" on aluminum
Bryce Canyon Amphitheatre, 24"x18" on aluminum
Moonlit Castle, 24"x16" framed and matted
Monument Valley Sunrise, 24"x16" framed and matted
Storm Over Zion, 24"x16" framed and matted
Arches Sunrise, 24"x12" framed and matted
Chapel in Autumn, 15"x20" framed
I hope to see you there.
Doug
Friday, January 13, 2012
Anonymous Quote
Before you compose your picture it's a good idea to ask your self why you're doing it!
Thursday, January 12, 2012
Bryan Peterson Quote
There is no better time to crop a bad composition than just before you press the shutter release.
Wednesday, January 11, 2012
On Balance ... but Composition First
When I first started in photography, a lot of the essential
qualities about composition confused me to no end. Regardless of who was
explaining it to me, I just could not get the concepts of movement, tension,
and balance. And without a solid understanding of these and other compositional
qualities, how could I compose a picture with a clear message? I couldn't. 

Except for the occasional accident my pictures lacked
direction or originality. I could copy a technique, which I quickly found to be
unsatisfying, but I couldn't get composition!
Composition is taught as a series of elements but it seems
to me the most important part of composition is assumed to be understood. I
believe the success or failure of a work rests upon the clarity with which we
understand the message we want to convey and our understanding of how we see.
I remember back in the early 80's I was working on a
composition of an old boat grounded along the shore. It had been there so long
that it was visibly rotting and one of the things I really liked about the
scene was the bright green moss growing on the stern of the boat.
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